chevron close close2 close3 hamburger
  • “Great Horned Owl” - 8.75 x 11” - drypoint etching
  • “Great Horned Owl Plate” - copper printing plate
  • Emerson Tuttle - photograph
  • “Night Heron” - 8 x 7.25” - pencil
  • “Appleton Farm, Nantucket” - 8.75 x 11.75” - drypoint etching
  • “Appleton Farm, Nantucket Plate” - copper printing plate
  • “Snowy Owl #3” - 8.25 x 10.5” - drypoint etching
  • “Snowy Owl No. 3 Plate” - copper printing plate
  • “Fleeting Glimpse” - 9.75 x 6.75” - drypoint etching
  • “Fleeting Glimpse Plate” - copper printing plate
  • “Young Raven” - 9.25 x 10” - drypoint etching
  • “Young Raven Plate” - copper print plate
  • “Aquiline” - 9.25 x 10.25” - drypoint etching
  • Aquiline Plate” - copper print plate
  • “Nantucket Road” - 8.75 x 8.25” - drypoint etching
  • “Nantucket Road Plate, 2nd State” - copper printing plate
  • “Backward Glance” - 8.5 x 11” - drypoint etching
  • “Backward Glance Plate” - copper printing plate
  • “Wilson’s Snipe” - 9 x 10,25” - drypoint etching
  • “Moor Owel” - 9.75 x 8” - drypoint etching
  • “Grouse in Snow” - 3.75 x 6.75” - drypoint etching
  • “Sanderling” - etching
  • “Bird of Paradise” - etching
  • “The Carney Cock” - etching

Henry Emerson Tuttle


Emerson Tuttle was renowned for his etchings of birds and was Curator of Prints at the Yale University Art Gallery in the ‘30’s and early ‘40’s, as well as a member of the Brooklyn Society of Etchers. First president of the AAN (he died before serving out his year), he and his wife Isabelle Hollister Tuttle were powerful voices in the formation of the association. Isabelle often recalled her husband sitting in a blind for days sketching birds for his prints.

Henry Emerson Tuttle is widely considered one of America’s greatest twentieth-century etchers of birds. Largely a self-taught artist, Tuttle suffered from a kidney disease as a child, leading him to spend large amounts of time quietly observing bird life in the woods. He would devote much of his career to drawing and making prints of birds, both from life and using stuffed specimens in his studio. On Nantucket, Tuttle showed his work at the Candle House Studio, the Easy Street Gallery, and the Kenneth Taylor Galleries.

Tuttle received formal training at Yale University and the Slade School, London. He created his first published drypoint engraving in 1925, a medium that he would favor for the remainder of his career. In the 1930s and 1940s, he was Curator of Prints at the Yale University Art Gallery, a full member of the American Federation of Arts, the Brooklyn Society of Etchers, and the Chicago Society of Etchers. His legacy was honored posthumously with the 1948 Yale University Press publication of Emerson Tuttle: 50 Prints, which presents a complete catalogue of his drypoint engravings from 1921 to 1946.

AAN held a retrospective of Tuttle’s works in June of 1948.