Bring depth and inspiration to your painting surfaces with collaged paper. Sherre Wilson Liljegen shares her innovative process designed to reach beyond the predictable physical 2D plane in pursuit of unexpected visual connections which opens the door to your own imaginative world. Sherre will demonstrate how students can combine fragments of textured colored paper to craft multifaceted images that produce surprising results as ink and paint is applied. You will be encouraged to embrace the shifts between forms and edges, as each piece of the paper accepts pigments according to their layered texture. On this interactive surface, your intuitive responses will incubate your imagery from initial concept to the final stages of a rich, engaging work of art that reveals an artistic journey previously unimaginable. ALL LEVELS WELCOME.
Thank you for signing up for a class. Once your class is paid for, we cannot offer a refund or credit, unless we cancel class due to low registration. Should you have any questions or concerns, please contact us BEFORE completing your payment.
The AAN Studio is equipped with glass top sliding carts that make perfect glass palettes. However, you will want to bring a large plastic bin or tray with palette paper and a lid. Because the studio is used for evening classes and storage room is at a minimum, students are asked to transport their supplies to and from the studio each day. We also supply vegetable oil, dawn soap, and Gamsol for clean up.
Suggested
Surfaces:
Hardboard panels (flat or cradled) canvas
Adhesives:
Lineco Neutral pH Adhesive
PVA adhesive
or other archival glue Acrylic medium to use as a glue and as a protective glaze
Source Material:
Images from photos, printed on plain, matte or miscellaneous paper. Inkjet prints, Lazer prints, prints from a copier.
Personal photos, images from magazines etc.
Tissue paper, rice paper, organic materials, fabric.
There will be plenty of source material available from AAN and Sherre’s collection.
Painting materials:
oil paint, transparent pigments
acrylic paint, transparent high flow (Golden brand) oil pastels,
oil pigments:
Mussini: transparent cyan & oriental blue & Violet & Magenta & Turquoise Williamsburg: quinacridone gold brown & transparent iron oxide.
Daniel Smith: quinacridone gold & burnt scarlet & cold black.
Any brand: paynes gray, asphaltum, indian yellow
Acrylic high flow:
hansa yellow, brown iron oxide, phthalo blue, green, quinacridone magenta, red, green gold, ultramarine blue, dioxazine purple, neutral gray , titanium white, buff
Brushes:
Simply Simmons - (very inexpensive) variety of sizes
PLEASE NOTE AAN’s Greener Practices:
No